Richie Hawtin is a genuine original. His critical acclaim spans the creative realm of the fine art community to the technological vanguard. Meanwhile, as a performing artist, he is constantly pushing conceptual frontiers, moving things forward, welcoming as many as he can to ideas and experiences that would have seemed pure science fiction when he began his career.
Hawtin is British-born and Canadian-raised. He is the business mind behind Plus8 and MINUS Records, nurturing a plethora of talent from Speedy J in the early 90s to Gaiser in the 2010s. And, of course, he is Plastikman, perhaps that most of all, electronic musician par excellence, maintaining an underground agenda of avant-garde electronica over six albums (and two compilations). He returned spectacularly to the live circuit in 2010 with his Plastikman 1.5 incarnation which held its own among the new EDM generation of Skrillex, Deadmau5, etc, stars to whom Hawtin is both old guard ambassador and hero.
It is not just the rising young talents who look up to Hawtin. Daniel Miller, founder of the seminal Mute label, referred to him as “a leader” and “a pioneer”, the New York Times called him “one of the electronic dance world's intellectual forces,”. However, it's plaudits from other areas that showcase the breadth of Hawtin's appeal. Raf Simons, former Creative Director at Dior, says he listens “to Richie Hawtin's music like others listen to classical music”, calling him “the Kraftwerk of today”. In 2013 Simons asked Hawtin to put on a special performance at the Guggenheim, New York's iconic art museum, as the centre-piece for their annual fund- raiser. A special Plastikman show in November that year, constructed around an LED obelisk and with music specifically composed for the occasion, awed everyone present and pushed Hawtin through a six year creative block to complete his latest Plastikman album "EX", the first full studio album in over a decade. “Going to the Guggenheim to make a site-specific work was one of the most incredible experiences,” he explains, “It put me put me back in the studio, inspired me to make new material and in five days I'd finished the new album. Music came out of me because of the opportunity to play in this beautiful architectural space renowned for art not music. It allowed me to step very far from dancefloor, gave me a huge amount of freedom back. Art and music, architecture and music, painting, sculpture - these mediums live together.”
This has not been Hawtin's only crossover to other art forms. In June 2011 he worked with the Turner Prize-winning British-Indian artist Sir Anish Kapoor to transform the Grand Palais in Paris into a gigantic red-themed installation and cultural happening. The result was a strikingly memorable 5000 capacity art-rave, and for the 2006 Winter Olympics Opening Ceremony he worked with Italian choreographer Enzo Cosimi to soundtrack and co-create a stand-alone dance piece.
More recently he was commissioned as part of Bertrand Bonello' exhibition at the Centre Pompidou in Paris to re-score Dimitri Kirsanoff's silent film "Brumes
d'automne” (1928). Then there's his ongoing work with his younger brother, the established graphic artist Matthew Hawtin who has been involved in visually representing much of Richie Hawtin's work throughout his career. Most recently the pair's Contained concept pieces created a sensation at Art Basel/Art Miami 2013, with the duo combining visual art and pop-up musical performances based around shipping containers in the city's famed Wynwood Design District.
“Art and music were always synonymous when we were growing up,” Hawtin recalls, “We lived together for about 8 years and I would walk through his art studio, see what was on the walls, go to my music studio to make noise. The soundproofing wasn’t good so as he was painting he’d hear what I was doing. There was always an unspoken discussion about what I was working on and what he was working on. Over the years we did a lot of travelling together. We started to have this night and day creativity. In the daytime we'd go to art galleries see Ellsworth Kelly, Mark Rothko, and at night we'd be hearing Jeff Mills. Somehow it all made sense to us. We want to represent this synchronicity.”
The Hawtin family moved from the Oxfordshire village of Middleton Cheney, UK, to Ontario, Canada, in 1979 when Richie was nine years old. His father, a robotics engineer, encouraged his son's interest in music and technology. To this day Hawtin remains at the forefront in this area. A beta-tester for sequencing software Ableton Live as far back as 2000, he has also worked closely with Native Instruments, notably on their Traktor Scratch programme. On 2008's Contakt Tour with fellow MINUS artists such as Magda and Troy Pierce, Hawtin jammed on Wireless Audio Workstations using brand new technology such as the Lemur Controller. His own Berlin-based development company Liine have created an array of innovations, from the Synk app, which allowed users to interact with Plastikman's live tour in 2010-11, to the Smudge app, which synchronized with audio-visual installations at his ENTER. Residency in Ibiza in 2012.
It was always thus. The teenage Hawtin was into Detroit techno in the mid-80s, then a nascent underground machine music rather than a popular style. He became a DJ, setting up Plus8 with his friend John Acquaviva, with whom he would later co-found the online dance music hub Beatport in 2004. He set the techno world alight with Plastikman's birth on the ’Spastik' single and 'Sheet One' album in 1993, the latter arriving in a cover that looked like blotter acid. Where Plastikman began as stark techno, it would later bloom into more thoughtful fare such as 1998's strange, wonderful "Consumed" album.
Hawtin ruled '90s techno from his base in Windsor, Ontario, via Detroit, his public image that of the ultimate techno boffin, shaven-headed, serious, with glasses. Things changed after the millennium. He moved to New York for ten months then headed for Berlin where he grew his hair, lost the glasses and threw himself wholeheartedly into the lifestyle. There was concurrently a huge interest in minimal, a stark stripped techno style pioneered by Hawtin and revelled in by all at MINUS. It was a phase that energized clubland, chucking out cheesiness and taking dance music back to its percussive roots. Hawtin's close association with Sven Vath at this time tempered the dark twitchiness of his Plastikman persona, bringing out his inner joie de vivre. His residences at Vath’s Cocoon nights in Ibiza finally allowed him to fall in love with the island after a rocky start there back in the '90s. It was the beginning of a new era.
In 2012, Hawtin created his incredible ENTER. experience at Space, Ibiza, a distillation of his vision, a five-room adventure impeccably designed, boasting all-night ecstatic dancing and, as importantly, a Sake Bar, which provides five unique and delectable ENTER.sakes. Then there's Hawtin's personal favourite space, the glowing, psychedelic, womb-like Mind Room, marinating in avant-abstract electronica. For 12-14 weeks between 2012 and 2015, 7000 revellers gathered, drawn by the power of “the dot”. ENTER.'s black spot logo, part total eclipse silhouette, part minimalist art statement, and all marketing genius, bespatters the white island all summer, from temporary tattoos to beach balls to the cannon confetti that rains down on ENTER's dance floor. ENTER. has evolved into huge global shows in Amsterdam, Japan, London, Madrid and Mexico.
Then again, with Hawtin a new era is usually just around the corner. In January, 2016, he called an end to ENTER. in Ibiza, driven by his desire to focus his attention on an array of new projects. He has always changed yet always stayed the same, remaining true to his core ideals but driving forward at speed to see what he can achieve. Nowadays his position as a statesman for dance music is acknowledged. At the CNTRL series of lectures in 2012, he toured America's universities, putting the country's current electronic dance boom in context. If that was about giving the musical present historical perspective, CNTRL returned in 2015 with an 8 date US Tour with lectures at colleges in the day and club shows in the evening, the talks stroked provoking ideas and practices for burgeoning musicians, producers and DJs. In 2015, his commitment to education, was solidified, when he received an Honorary Doctorate Of The University Of Huddersfield for Outstanding Contribution to the world of Music- Technology. The year before, AIM aka the Association for Independent Music, gave him the Outstanding Contribution accolade for his dedicated to the sector.
To mark Plus 8 Records reaching 25 years of age, Hawtin wrote and released an entire album of new material under the various recording aliases he’s used in that time. Titled "From My Mind To Yours", it was the first dancefloor material from him for some time. Alongside the new recordings and taking the ENTER.Concept worldwide, Hawtin started 2016 by announcing a partnership with product designer Andy Rigby-Jones, Allen & Heath and parent company Audiotonix to create Play Differently. The group will release products which will expand the creativity of today’s generation of electronic music artists. Richie Hawtin will, as ever, be revelling in the possibilities of whatever comes next....
It’s been a whirlwind three years for Dublin man Gavin Lynch better known as Matador. From initial beginnings as a sound engineer and DJ in his native Dublin, the dedicated producer has plotted a carefully devised route right to the forefront of techno in just three short years. The organic evolution of Matador’s productions has been clear for all to see, the cultivation of his instantly recognizable sound an intrinsic part of his journey from humble beginnings. Perc Trax and Cocoon were early stop-offs before Matador found his artistic home with Minus, the much respected stable of the legendary Richie Hawtin and the perfect outlet for an adventurous producer like himself, a label which has had a substantial impact on his flourishing career.
The initial break came on Hawtin’s Plus 8 thanks to a driving monster of a remix for Bryan Zentz’s D-Clash which announced Matador as one to watch in dance circles. Following that up with a debut EP on Minus was perfect opportunity for Matador and the success of his Kingswing release gave him the impetus to launch himself fully into the world of techno. With staunch support from Mr Hawtin himself, Matador became a regular fixture on the Minus lineups around the world. On the production front he followed his debut venture up with a succession of well received EP’s and releases on Minus including the likes of Lamana and Dikspring as well as the much lauded Spooks EP, five tracks which truly encapsulate the Matador sound. 2012 proved to be a productive year for the Dublin man with a constant stream of quality output helping cement his place as a rising star amongst the techno community.
During this time he also began to hone his live performance setup, incorporating midi controllers, samplers and effects to create a formidable live show perfectly tailored to his needs. His outgoing personality, combined with the vibrant nature of his music has helped him engender a unique party atmosphere at his live shows, something techno fans around the world can attest to.
Underneath the Enter banner, Gavin has been a regular resident performing extensively in Ibiza over the past three seasons and at Enter events all over the world from Brixton to Amsterdam and farther afield in Los Angeles and Miami. Performing at Enter has also given Matador the chance to perfect his live performance and his successes here were reflected by fact that he was anointed Best Live Performer Ibiza 2014 at this year’s DJ Awards, recognition of his dedicated efforts in a live setting.
The past two years have seen Matador continue his studio prowess with a string of releases including a remix for techno legends Dubfire and Oliver Huntemann and a new EP for Minus in Zoles which was a 5 track salvo for his label of choice. 2014 saw the producer indulge his love of remixing with a remix for Depeche Mode a particular highlight. 2014 also saw Matador’s Versions EP come to light, inspired by the many sounds that influenced him as a young DJ, the EP gave new life to a number seminal dance tracks including most interestingly The Chemical Brothers – It Began In Africa. Many of these tracks were included in his recent Essential Mix.
With renewed focus on the studio this year as well as a primed touring schedule its clear the Matador name will continue it’s inexorable rise. A new EP on Minus is imminent and an artist album for 2015 has been confirmed, something that will no doubt excite the growing fan base of the charismatic Irishman. His love for live performance will also be indulged with a new live show almost ready to be rolled out, something that will bring a smile to the face of the many Matador fans who have crossed paths with him over the last three years, connecting with him and joining him on what has been an incredible journey. It appears that the coming months will provide a plethora of seminal moments for one of techno’s most notable mavericks!
Hito is a Japanese, Berlin based, electronic music artist and vinyl DJ with unique style and aesthetic. Full of colour and character, born and raised in Himeji, Japan, she is loved for her sophisticated record collection, deep techno style, and her incredible ability to entertain crowds with charm and energy.
After moving to the German capital in 1999, she developed her passion for minimal and emotional music pressed on vinyl. Hito connected with electronic music icon Richie Hawtin and became a resident and integral part of his ENTER. experience at Space Ibiza from 2012, one of the island’s most forward-thinking party concepts.
Hito took full ownership of the ENTER.Sake bar at the outdoor Space terrace with epic sets, sometimes playing all night long to an incredulous response. The room was modelled on a Japanese Sake Bar and her performances, both in sound and vision, added huge authenticity to the concept, performing in formal dress exhibiting her stunning range of kimonos.
Hito has since evolved into a unique artist in her own right, in demand around the world for the touch of class she delivers. 2016 saw a huge surge in her international profile, having graced the likes of Circoloco and Ushuaia in Ibiza, Awakenings in Amsterdam, Cocorico in Riccione, Amnesia in Milan, Rex in Paris and Fabric London.
She continues to represent Richie Hawtin’s ENTER.Sake project worldwide playing music to compliment any experience of food, music and sake. She has also been appointed as an ambassador for Richie Hawtin’s PLAYdifferently MODEL 1 mixer project as an example of an artist pushing the boundaries of vinyl performance.
People don’t just like Hito – they LOVE Hito - she has become an unofficial ambassador for Japan. Her background has seen her strive to share her culture, defining a palette of sounds which she relates to the five senses that coloured and shaped her life.