After hitting #1 on Hype Machine (twice!), receiving more than 100 million combined views across YouTube, and getting an additional 20 million plays on SoundCloud with his debut single “Jubel,” French producer Klingande comes back with his new sound in 2015 and an album soon.
“Jubel” was already a massive success in Germany after spending seven weeks at #1 and is firmly established as a huge international smash hit with #1 placings in 30 countries, as it became the most Shazamed track across Europe and #26 most Shazamed track of all time. Its popularity has since spread globally, maintaining its position in charts for several weeks now and selling around 1 million singles.
“With ‘Jubel,’ I wanted to bring love, happiness and this summer feeling to people,” Cédric explains. I love using the saxophone, because it’s a powerful instrument with a warm sound that expresses different emotions and feelings.”
Both Klingande and “Jubel” are named after Swedish words, due to the artist’s love of the nation’s house music. Jubel means joy, and Klingande is taken from the word for “sounding.”
Klingande was formed in December of 2012 by Cédric, a 24-year-old from Croix in Northern France.
Cédric studied music theory as a child but became immersed in electronic music as a teenager; initially a DJ, he soon also began to work on his own original productions. After his year of production and music school in London, he came back and produced, releasing “Jubel” and “Punga” in 2013.
Klingande has spent much of 2014 touring throughout Europe, the US and Asia. His last single to be released in mainland Europe was “Punga,” another track that features his distinctive house-meets-saxophone sound and also earned a huge online following.
Several singles and an EP are expected this year, with his new remix of Alex Adair released January 17, titled “Make Me Feel Better” (Klingande Remix). On February 3, Klingande released his remix for Avicii’s single “Divine Sorrow,” featuring Wyclef Jean. And on February 23, Klingande is coming with his new single “RIVA (Restart the Game),” featuring French singer Broken Back. This single keeps Klingande’s spirit and melodies, with the use of harmonica instead of saxophone. Riva is another Swedish word, meaning “tear.” The name was chosen according to the lyrics of the song.
Klingande is represented by Cédric, who spend much of his time between stages, planes and his studio in Lille (FR). Klingande will also be on tour in Europe, the Middle East, South Asia, Australia, the UK and the US again in the following months.
Stay tuned, 2015 will be huge!
Firmly planted in the riches of house music history, but neatly poised to move forward into the future, Adam Auburn has dedicated his life to the music he loves. The buzz probably all began for Adam in 2004, after winning the first ever Traxsource DJ Competition, sparking a whirlwind of international attention for the East Coast native. In 2008, the ginger-bearded house music advocate moved to Los Angeles, where he was blessed to be discovered by Insomniac, placed on display at their weekly events at Exchange, and ultimately the mainstage at Nocturnal Wonderland, Escape From Wonderland, and EDC Week Las Vegas. Auburn’s unique versatility as a DJ has allowed him to play alongside a range of Artists as wide as his love for dance music—including everyone from Kaskade to Diplo, Knife Party, TJR, Oliver Heldens, Duke Dumont, John Digweed, Maceo Plex, Maya Jane Coles, the Martinez Brothers, Hot Since 82, Claude VonStroke, MK, Derrick Carter, Mark Farina, Louie Vega, and so many more across 15 years of DJing. Auburn's deep love of house music can be found not only in the infectious energy that resonates from his DJ performances, but also through the award-winning house music events his production company, Auburn Events, has put on for over 10 years—including Afternoon Delight (#2 Pool Party in the US—Thrillist 2015). In 2014, Adam began working as the Director of Marketing & Entertainment at Exchange LA, continuing to do whatever he can help push the music he loves forward into the future.
Few have been able to accomplish what Mahalo has done in such a short period of time. Hailing from the shores of Hawai’i and setting up shop in Southern California, this young producer has quickly solidified himself as one of the newest rising stars to emerge from the Los Angeles dance music scene. Drawing inspiration from several styles and artists has allowed him to blur the lines sonically, creating cutting edge material that pays homage to the past while always pushing to be progressive. In just a little over a year since launching onto the scene, Mahalo has garnered the support of many renowned artists such as EDX, My Digital Enemy, Listenbee, Nora En Pure, MAKJ, and Sam Feldt. The label support is just as impressive, having releases on some of the world's most esteemed imprints such as Armada Music, Spinnin' Records, No Definition, Mark Knight's Toolroom Records and Kiesza's label Lokal Legend. However, his track record doesn't stop there - Mahalo has maintained consistent chart-topping success with nearly every release on platforms such as Beatport, Hype Machine and SoundCloud. More recently, he has seen overwhelming support from Spotify's taste makers and curators, landing features on some of their most coveted and exclusive dance music playlists. The unique and signature style of Mahalo has earned him the respect of many in both the underground dance music scene as well as the more popular factions of the entertainment industry, proving that we're only witnessing the beginning of what this special LA-talent will bring to the music scene and the dance floor.
Hometown: Kamuela, HI
Currently Living: Los Angeles, CA
Origin of Name: The word mahalo is Hawaiian and means “thank you.” For my project, it’s a bit of homage to all the great people who have inspired me along the way.
Weapon of Choice: Cat Lewis.
Source of Power: Leftism and an espresso shot.
What advice would you offer someone thinking about entering the Discovery Project competition?
Come at it with everything you’ve got, and don’t be afraid to try something that hasn’t been done before. If you don’t get it the first time, second time or the third time… keep trying and hone your craft. As long as you’re passionate about what you’re doing, then it’s all worthwhile.
Music has been a major part of my life since I was a kid. My father was really into dance music, and I grew up listening to artists like Leftfield, Paul Oakenfold, Fatboy Slim, Groove Armada, the Freestylers, etc. The reverberations of growing up listening to those artists are definitely present in my style today and have played a major role in how I express myself through music. However, for me, writing music isn’t just about personal expression but also about trying to connect with the listener. I hope my music can impact someone the way my favorite artists did for me when I was younger.
Was there one particular moment in the recording or mixing process for your Discovery Project entry that made you feel like you were creating something pretty damn special?
Totally. Once I finished the mix, I noticed I had put together an array of tracks that not only complemented each other’s energy but also were entirely my own tracks (with the exception of the opener, which is an amazing remix of my song “Move” by a new talent known as Mishqeen). I made a mix with all my own tracks before, but this was the first time I was actually really digging the overall flow of how the tracks worked together. It really struck a chord with me. Regardless of how this contest panned out, I’d be happy I at least got a chance to put together this mix showcasing my newest tunes and some of my more popular released material.
Are there any dots to connect between where/how you grew up and your musical output—from people freestyling on the street corner to a grand piano forced down your throat by your mom?
Funny you mention freestyling, because that sorta was the catalyst for me really taking on any kind of semi-serious music career. When I was young, like 13 to 14, I bought Sony Acid and dabbled in production a bit. But it wasn’t until I got my first Mac with GarageBand that really kind of sparked me to pursue any kind of musical alias. Of course at that time, being a rapper was the thing, and my closest friends were all about it; so I started to record myself and put little demos out online. It was terrible. But I most likely wouldn’t have carried down the road that got me to where I am today had I not found so much interest in it all.
Tell us about your most memorable night out as an artist or as a fan.
EDC 2010 has to be it for me. I’ll never forget when Lil Jon came out during Laidback Luke’s set and went ape-shit on the crowd for jumping the fences. That was just a couple weeks before I moved to L.A., and I remember being blown away by it all. The production, the Coliseum, the artists, the vibe—everything was just really top-notch.
How, if at all, does listening to music figure into your creative process? What’s the last song you heard that made you drop what you were doing and go into the studio?
Listening to music always has its place in the creative process. For me, listening to old songs that induce nostalgia really helps get me into the zone, but I also get a lot of ideas from listening to radio, where there are tracks I normally wouldn’t listen to. That opens my mind to new ideas and allows me to explore when I write new music. This wasn’t the last time, but I have a very distinct memory of hearing “La La Land” on the radio by DVBBS & Shaun Frank. The first time I heard it, I knew I could do something dope with it, so I got in touch with Shaun and grabbed the stems. I think the remix turned out great, and we hit #1 remix on Hype Machine when I put it out. I think it all plays into the story of keeping your ear low to the ground and being on top of what’s coming out, which is really just listening to music.
If we pressed shuffle on your iPod while you went to the bathroom, what would you be embarrassed to come back to us listening to?
I’d be a lot more shocked that you found my iPod, haha. But I actually have been using Spotify playlists a lot to listen to music nowadays. I love the platform, and they’ve done a fantastic job of cutting out all the noise from the repost and PR services that have essentially oversaturated SoundCloud. Their curators are great about selecting high-quality tracks, and you can literally find your mood in playlist form, click shuffle, and drift away.
What sound or noise do you love?
The sound my cat makes when she’s happy to see me. Reese bass is pretty tight, too.
What should everyone just shut the fuck up about?
Unless you’re a politician… politics.
What gets you excited when you think about the future of electronic music and club culture?
I’m just excited to come up in an environment with all these other talented musicians I’ve come to know and love over this journey so far. It’s been really inspirational to watch all these people bloom into the great artists they’re capable of being. In regards to the culture, it’s great to know there’s a younger generation that’s eating this all up, as well. You see kids that are 12 years old putting out palatable and sometimes even pretty good productions. That’s wild, because I remember where I was with all this when I was that age, and it was nowhere close. I can’t wait to see what this younger generation is going to be able to do.
How would you describe your sound to a deaf person?
“Roof casually dripping down on your head” music.
What do you remember about your first DJ gig?
My first DJ gig was actually a house party for this girl’s mom and her friends. I had to play a bunch of oldies tunes to start off, and once the party was a bit liquored up, I started playing some more upbeat house stuff for them. There were a ton of old people getting all wild to it, and the mom was really happy with how it all turned out. I remember what really made the night for me, though, was my friend’s sister was dating Larry Fitzgerald from the Cardinals at the time, and he came up to me and told me he was feeling the music. Looking back on it now, it’s a pretty funny start to the whole DJ thing.
What’s the hardest professional lesson you’ve learned thus far? How did it make your life easier—or more difficult?
The hardest lesson I’ve learned by far is how hard it is to balance working with really close friends. It’s a slippery slope, and I would recommend avoiding it if at all possible. This industry is a roller coaster, and involving your good friends in the mix is risky, unless they’re fully committed to riding that roller coaster with you.